*This is good news. Latin@ artists are transforming the art world and getting due recognition. It’s being called “an unprecedented series of exhibitions that will add to the scholarship of an under-researched area of art history.” VL
A show about the boundary-pushing art of radical Latin American women and another devoted to the science fiction of the Americas are just two of 43 exhibitions and events receiving $8.5 million in grants from the Getty Foundation as part of Pacific Standard Time: Los Angeles/Latin America, scheduled to kick off in fall 2017.
The awards, to be formally announced at a Wednesday morning event in downtown Los Angeles, will help to fund Latino- and Latin America-themed shows across Southern California — an unprecedented series of exhibitions that will add to the scholarship of an under-researched area of art history, organizers said.
“Los Angeles is deeply linked to Latin America in its history and in its current demographics,” Getty Foundation Director Deborah Marrow said. “No one has ever put so many Latin American shows together at one time, especially side by side with shows by Latino artists — so people could dialogue about it.”
This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nation’s history. From the moment the myth-infused character of El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater.
Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zuit Soot Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. Valdez’s cadre of young urban characters struggle with the stereotypes and generalizations of America’s dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out.
Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940’s was the first, and only, Chicano play to open on Broadway.
This collection contains three of playwright and screenwriter Luis Valdez’s most important and recognized plays: Zoot Suit, Bandido! and I Don’t Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.
By Carolina A. Miranda, The Los Angeles Times
